Eternal Youth

Date

Thursday, April 3, 2025
7:30 p.m.

Venue

Salle Pierre-Mercure
Centre Pierre-Péladeau

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With
Stéphane Tétreault

Cello
(I Musici Artist in Residence)

Jean-François Rivest

conductor

We shall forever marvel at the innovative character and spirit of works dating from composers’ youth period.  We think immediately of child Mozart, or Beethoven opus 1.  Haydn was only thirty when he composed his cello concerto in C around 1760, which already demonstrates how much he was a master of string writing.  He will have invented the Classical Period by the same token (with a little help from Carl Philipp Emmanuel).  The most precocious prodigy of all our beautiful music history is definitely Mendelssohn.  He wrote those superb string symphonies when he was between age 12 and 14!  They show such an incredible maturity and ingenuity that it seems almost incredible coming from a young teenager.  While speaking of very young talent, did you know that Stéphane Tétreault performed as a soloist with I Musici and Yuli Turovsky for the first time when he was merely 11?

– Jean-François Rivest

Program
C.P.E. Bach

Symphony for Strings No. 3 Wq 182.3 in C minor
Allegro assai – Adagio – Allegretto
(10 minutes)

F.J. Haydn

Cello concerto in C major, Hob. VIIb:1
Moderato – Adagio – Allegro molto
(28 minutes)

Entracte
F. Mendelssohn

Symphony for Strings No. 12 in G minor
Fuga : Grave-Allegro – Andante – Allegro molto
(20 minutes)

F. Mendelssohn

Symphony for Strings No. 9 in C minor
Grave/Allegro – Andante – Scherzo/Trio piu lento (la Suisse)
– Allegro vivace
(25 minutes)

Artists
Stéphane Tétreault

Cello
(I Musici Artist in Residence)

Biography

In addition to innumerous awards and honours, Stéphane Tétreault is the recipient of the prestigious 2019 Virginia Parker Prize from the Canada Council for the Arts. He is also the laureate of the 2022 Prix Opus for “Performer of the Year”, awarded by the Conseil québécois de la musique and accompanied by a Canada Council grant.

In 2016, Stéphane made his debut with the Philadelphia Orchestra under the direction of Maestro Nézet-Séguin and performed at the prestigious Gstaad Menuhin Festival in Switzerland. During the 2017-2018 season, he took part in the Orchestre Métropolitain’s first European tour with Maestro Nézet-Séguin and made his debut with the London Philharmonic Orchestra.

Stéphane has performed with violinist and conductor Maxim Vengerov and pianists Alexandre Tharaud, Jan Lisiecki, Louis Lortie, Roger Vignoles, Marc-André Hamelin and John Lenehan. He has participated in a number of masterclasses, notably with cellists Gautier Capuçon and Frans Helmerson.

His debut CD recorded with the Quebec Symphony Orchestra and conductor Fabien Gabel was chosen as “Editor’s Choice” in the March 2013 issue of Gramophone Magazine. His second album with pianist Marie-Ève Scarfone, featuring works from Haydn, Schubert, and Brahms, was chosen as Gramophone Magazine’s “Critic’s Choice 2016” and recognized as one of the best albums of the year.

Stéphane was a student of the late cellist and conductor Yuli Turovsky for more than 10 years. He holds a master’s degree in Music Performance from the University of Montreal.

Stéphane plays the 1707 “Countess of Stainlein, Ex-Paganini” Stradivarius cello, generously loaned to him by Mrs. Sophie Desmarais.

Jean-François Rivest

conductor

Biography

Québec conductor Jean-François Rivest is renowned for his energy, his extremely precise technique, his style, which is passionate, moving and deeply involved, and his great communication skills. His discography serves as proof to the ease with which he masters a large variety of musical genres ranging from the baroque eraup to today.

Regularly invited by orchestras in Montreal, in Canada and around the world (USA, Mexico, Peru, France, Switzerland, Spain, Russia, and South Korea), he has been Artistic Director of the Orchestre Symphonique de Laval, (10 years) and of Ottawa’s Thirteen Strings Ensemble, (5 years), as well as Conductor in Residence of the Orchestre Symphonique de Montréal (OSM) where his tenure has been particularly significant.  In the last months of 2021, while the Pandemic was widespread, he conducted at the Opéra de Lausanne and Opéra de Fribourg, in Switzerland, followed by 8 concerts with the Orchestre Symphonique du Pays Basque, in France.

Nominated as Principal Guest Conductor at first, in 2021, he was just recently appointed Artistic Director of the prestigious chamber orchestra I Musici de Montréal.  As Christophe Huss said in Le Devoir, it is ‘a logical nomination because since his arrival, the symbiosis has been great between the conductor and the musicians’.

Jean-François Rivest firmly believes that the next generation of musicians must rely on performers that are also active as pedagogues. He has worked for several institutions and has been teaching violin, orchestral conducting as well as a variety of advanced performance classes at Université de Montréal. He is the founder, Artistic Director and principal conductor of the Orchestre de l’Université de Montréal (OUM).

From 2009 to 2015, he has been Artistic Director of the Orford Arts Centre, (now Orford Music), nearbyMontréal where he presided over the destiny of Orford’sprestigious International Academy and Festival.  His period at the head of the Arts Center is unanimously seen as a time of tremendous artistic renewal and growth.  In the 2012 Opus Prizes Awards ceremony, hewas given the Opus Prize for the Artistic Director of the year (2011).

Mr. Rivest, who trained at the Conservatoire de Montréal and at the Juilliard School in New York, quickly established himself as one of the foremostQuebec violinists of his generation. His main teachers were Sonia Jelinkova, Ivan Galamian and Dorothy DeLay.

Being the father of four children, family is at the center of his life. He is passionate about nature and outdoor activities, such as scuba diving, kayak, climbing, trekking and photography. He has even participated in several expeditions of a challenging level. He holds a Private Pilot License and flies his good old Cessna regularly. Jean-François Rivest believes that the many facets of nature are a vital source of artistic inspiration!

Julie Triquet plays on a Giuseppe Odoardi 1726 violin, generously loaned by Mr. David B. Sela.
Christian Prévost plays on a Rafelle and Antonio Gagliano violin, Naples (ca.18xx) and a Jean Joseph Martin bow (ca.1880), kindly lent by CANIMEX.
Amélie Benoit Bastien plays a Jean-Baptiste Vuillaume violin, Paris, ca. 1845, number 1672, Stradivarius model and a Eugène Sartory bow, Paris, ca. 1935, courtesy of CANIMEX.
Annie Guénette plays on a Josef Gagliano 1768 violin and a Lamy bow, generously loaned by CANIMEX.
Tim Halliday plays the 2014 Kolia cello by Mira Gruszow and Gideon Baumblatt, generously on loan from Mr. David B. Sela.

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