
Eternal Light
Concert with choir
Date
Friday, October 23, 2026, 7:30 p.m.
Venue
Pollack Hall
Free concert
In the first light of the new Pollack Hall, this concert explores the contrasts of the human soul through two works of profound intensity. Mozart’s Requiem, left unfinished at his death, rises as a meditation suspended between light and darkness, where fear, supplication, and solace intertwine.
In response, Mendelssohn’s Symphony in G minor, an early work of striking maturity, unfolds with restless energy, shaped by dramatic surges and lingering shadows.
Between spiritual fervor and Romantic tension, this program traces a powerful expressive arc, where music becomes a space of passage; between life and death, doubt and transcendence, darkness and clarity.
Program
F. Mendelssohn
String Symphony No. 12 in G minor. Composed in 1823. (22 min)
W. A. Mozart
Requiem in D minor, K. 626. Composed in 1791. (51 min)
No intermission
Artists

Jean-Sébastien Vallée
choirmaster
Biography
Jean-Sébastien Vallée is a distinguished Canadian-American conductor, also recognized as a scholar and teacher, specializing in choral, vocal, and orchestral repertoire. With a career spanning more than twenty years, he has conducted ensembles across North America, Europe, and Asia, and has collaborated with some of the world’s leading orchestras, including the Chicago Symphony Orchestra, the Toronto Symphony Orchestra, the Orchestre symphonique de Montréal, and the National Arts Centre Orchestra.
Jean-Sébastien is currently artistic director and principal conductor of the Toronto Mendelssohn Choir, one of Canada’s most prestigious and historic choral ensembles, as well as of the Toronto Mendelssohn Singers, its professional chamber ensemble. He is also a full professor at the Schulich School of Music of McGill University, where he serves as director of choral studies and area coordinator of conducting and large ensembles. He previously served as director of choral studies at California State University, Los Angeles, and as a member of the faculty at the University of Redlands.
A passionate advocate for both the great repertoire and contemporary music, Vallée is known for his expressive interpretations, stylistic versatility, and commitment to artistic excellence. His discography on the ATMA Classique label includes Remember (2024), Distance (2021), Requiem (2018, featuring works by Fauré and Duruflé), and Lux (2017), all critically acclaimed and broadcast internationally.
His recent and upcoming engagements include concerts at the Franz Liszt Academy of Music in Budapest, as well as performances with the Québec Symphony Orchestra, the Toronto Symphony Orchestra, and the National Arts Centre Orchestra. In recognition of his outstanding contribution to the musical world, Jean-Sébastien was recently awarded the Grand Diplômé prize by Université Laval.
Julie Triquet plays a 1726 Giuseppe Odoardi violin, generously loaned by Mr. David B. Sela. Amélie Benoit Bastien plays a Jean-Baptiste Vuillaume violin, Paris, ca. 1845, number 1672, Stradivarius model, and a Eugène Sartory bow, Paris, ca. 1935, graciously loaned by CANIMEX. Elvira Misbakhova plays a Jean-Baptiste Vuillaume viola, Paris, ca. 1860–61, number 2342, Stradivarius model, and a Louis Bazin bow, graciously loaned by CANIMEX. Tim Halliday plays the 2014 “Kolia” cello by Mira Gruszow and Gideon Baumblatt, generously loaned by Mr. David B. Sela. Vincent Bergeron plays an Anselmo Bellosio cello, Venice, 1760, as well as a Roger François Lotte bow, generously loaned by CANIMEX. Marie-Claire Vaillancourt plays an Andrea Guarneri violin, Cremona, ca. 1660, and a Hill bow by Arthur J. Barnes, nicknamed “Harry,” graciously loaned by CANIMEX.




