Valérie Millot | Photo : Frédérick Robitaille

PARIS : Valérie Milot and her harp

November, 17 2022
7:30 p.m.

 

Reserve
conducted by
Tania Miller, guest conductor
 

avec
Valérie Milot, harp
Amélie Benoit-Bastien et Hubert Brizard, violins 

 
± 90 minutes
with intermission

Paris has long delighted everyone with its beautiful architecture, its top-notch food, and its buzzing night life. The wonderful harpist Valérie Milot and renowned Canadian conductor Tania Miller will share Paris’s musical splendour and sensitivity with us in a program combining the Impressionism of Debussy and Ravel with the Romanticism of Boieldieu. Without a doubt, the harp is best suited to unveil the entire colour palette of these magical works. You’ll have an opportunity to rediscover violinists Amélie Benoit-Bastien and Hubert Brizard in the second half of the concert—two professional musicians you’re familiar with by now. Both violinists are I Musici de Montréal members who will play in Arvo Pärt’s extremely trippy and meditative Tabula Rasa 

—    Jean-François Rivest


Thursday, November 17 2022
7:30 p.m.

À la salle Pierre-Mercure du Centre Pierre-Péladeau

Reserve

For tickets with social distancing, call 514 987-6919


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Valérie Millot | Photo : Frédérick Robitaille

Valérie Millot
Harp

Tania Miller | Photo : Todd Rosenberg

Tania Miller
Conductor

Amélie Benoît-Bastien

Amélie Benoît-Bastien
Violin

Hubert Brizard

Hubert Brizard
Violin

Program

Debussy

Danse sacrée et danse profane for harp and string orchestra
Duration: approx. 10 minutes

Ravel

Pavane pour une infante défunte 
Duration: approx. 6 minutes

Boieldieu

Concerto pour harpe en do majeur (in tre tempi), 1801
Duration: approx. 22 minutes

Frehner

Mojave Dreaming
Duration: approx. 15 minutes 30 secondes

Pärt

Tabula Rasa for two violins and prepared piano
Duration: approx. 27 minutes

Julie Triquet plays on a Giuseppe Odoardi 1726 violin, generously loaned by Mr. David B. Sela. 
Christian Prévost plays on a Rafelle and Antonio Gagliano violin, Naples (ca.18xx) and a Jean Joseph Martin bow (ca.1880), kindly lent by CANIMEX.
Amélie Benoit Bastien plays a Jean-Baptiste Vuillaume violin, Paris, ca. 1845, number 1672, Stradivarius model and a Eugène Sartory bow, Paris, ca. 1935, courtesy of CANIMEX.  
Annie Guénette plays on a Josef Gagliano 1768 violin and a Lamy bow, generously loaned by CANIMEX. 
Tim Halliday plays the 2014 Kolia cello by Mira Gruszow and Gideon Baumblatt, generously on loan from Mr. David B. Sela.
Marieve Bock plays the Maucotel cello, Paris, 1849, courtesy of CANIMEX.

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